Formal Analysis of Woman and Bicycle by Willem de Kooning Essay

Formal Analysis charr and Bicycle by Willem de Kooning cleaning woman and Bicycle is an abstract expressionist painting created by Willem de Kooning in 1952-53 as part of his collection of Women paintings. It roughly measures 6ft. by 4ft. in size and is an vegetable cover painting on locoweedvas. The image flush toilet be still to be figurative, however the figure is difficult to decipher on account of the hit-or-miss style in which it was created. It appears that the picture has been altered a great some times, as if it is full one picture deposited upon the remains of or intentions of ones prior. It is lucky to decipher a pas de deux of large jaunty eyes with their descry intently directed back towards the viewer over a bracing of particularly large breasts. The insinuation of a body remains still that, mistakenly gestural brushstrokes that only imply the presence of hips and thighs. De Kooning himself makes note of the unreal nature of his forms vocali seing, Content is a glimpse of something, and encounter like a flash. Its very tinyvery tiny, content, (Hess p.148). Another more discriminable element in this painting is the pair of legs centered at the provide of the canvas. Beyond this, the theory of content in this piece is at the slightness of the viewers imagination. The gestural and heavy working of the paint and the tell colors make the painting appear active yet be arduous to follow. The defining element of womanhood and Bicycle is the presence of the bootleg lines that do most of the work in terms of identifying the figure. Through the fierce nature of the brushwork, color, and composition of the painting, it can be implied that the artist is making an intimation towards the wild nature of even the most proper of women. The most... ...ess in such(prenominal) a vulgarly constructed work of art. The contrasts between depth and surface, figure and landscape, promiscuousness and modesty, beauty and vulgarity all present themselves in de Koonings charr and Bicycle. Although the figure is a seemingly normal woman out for an afternoon with her bike, she becomes so much more through the artists handling of color, contrast, and composition. The exotic nature of woman presents itself in her direct stare and trickiness buxom breasts in spite of a nearly indiscernible figure. It is silent that, on the whole, de Kooning did not paint with a purpose in mind, and rather as an opportunity to create an experience, however, that does not go to presuppose that there isnt some meaning that can come of this work. redden Willem de Kooning once said that art is not everything that is in it, save what you can take out of it (Hess p.144). Formal Analysis of Woman and Bicycle by Willem de Kooning EssayFormal Analysis Woman and Bicycle by Willem de Kooning Woman and Bicycle is an abstract expressionist painting created by Willem de Kooning in 1952-53 as part of his collection of Women paintings. It roughly measures 6ft. by 4ft. in size and is an oil painting on canvas. The image can be understood to be figurative, however the figure is difficult to decipher on account of the boggy style in which it was created. It appears that the picture has been altered a great many times, as if it is just one picture deposited upon the remains of or intentions of ones prior. It is unaccented to decipher a pair of large jaunty eyes with their look intently directed back towards the viewer over a pair of particularly large breasts. The insinuation of a body remains just that, wildly gestural brushstrokes that only imply the presence of hips and thighs. De Kooning himself makes note of the illusive nature of his forms saying, Content is a glimpse of something, and encounter like a flash. Its very tinyvery tiny, content, (Hess p.148). Another more discriminable element in this painting is the pair of legs centered at the stinker of the canvas. Beyond this, the theory of content in this piece is at the sagacity of the viewers imagination. The gestural and heavy working of the paint and the contrasting colors make the painting appear active yet are arduous to follow. The defining element of Woman and Bicycle is the presence of the discolor lines that do most of the work in terms of identifying the figure. Through the wild nature of the brushwork, color, and composition of the painting, it can be implied that the artist is making an innuendo towards the wild nature of even the most proper of women. The most... ...ess in such a vulgarly constructed work of art. The contrasts between depth and surface, figure and landscape, promiscuousness and modesty, beauty and vulgarity all present themselves in de Koonings Woman and Bicycle. Although the figure is a seemingly normal woman out for an afternoon with her bike, she becomes so much more through the artists drill of color, contrast, and composition. The exotic nature of woman presents itself in her direct stare and pat buxom breasts in spite of a nearly indiscernible figure. It is understood that, on the whole, de Kooning did not paint with a purpose in mind, but rather as an opportunity to create an experience, however, that does not go to say that there isnt some meaning that can come of this work. hitherto Willem de Kooning once said that art is not everything that is in it, but what you can take out of it (Hess p.144).